Annihilation (2018)
Part of a series of interpreting movies from a Jungian lens.
- Sasha Karcz
- 6 min read
Annihilation: An Alchemical Magnum Opus
“Annihilation” transcends conventional genre, seamlessly blending science fiction, psychological horror, and profound metaphysical allegory. Beneath its narrative of an expedition into an enigmatic anomaly, the film unfolds as a profound meditation on the alchemical Magnum Opus—the transformative process of dissolution and recombination.
Through an alchemical lens, we reveal a journey of self-destruction, purification, and transmutation. The Shimmer is not merely an extraterrestrial anomaly; it is the vas hermeticum, the sealed vessel wherein Lena undergoes the Magnum Opus, shedding her former self and emerging as a radically transformed being.
The Shimmer as the Vas Hermeticum: The Crucible of Transformation
In classical alchemy, the vas hermeticum is the sacred vessel where transformation occurs. Once sealed, nothing within it remains unchanged. The Shimmer embodies this hermetic chamber—a space of profound metamorphosis where form, identity, and consciousness are systematically deconstructed and reconstituted.
- Within its shimmering boundaries, all matter—DNA, bodies, and even time—undergoes a process of dissolution and recombination.
- Time itself warps and fractures, mirroring the alchemical process where the initiate transcends linear experience, entering an eternal present.
- None who enter emerge unchanged. Only through total dissolution (solve et coagula) can authentic transformation take place.
Lena, upon crossing the threshold into The Shimmer, embarks on her personal Magnum Opus—a perilous passage through the four classical stages of alchemy, culminating in the coniunctio, the sacred union of opposing forces.
Lena’s Alchemical Journey: The Four Stages of Transformation
Lena’s journey meticulously mirrors the traditional stages of alchemy:
- Nigredo (blackening) – decomposition, shadow integration, and the necessary destruction of the old self.
- Albedo (whitening) – purification, illumination, and the emergence of clarity.
- Citrinitas (yellowing) – wisdom, spiritual awakening, and the dawn of enlightenment.
- Rubedo (reddening) – the final union of opposites, the completion of individuation, and the attainment of wholeness.
1. Nigredo: The Dissolution of the Self—Embracing the Shadow
The nigredo stage represents decay, disintegration, and the confrontation with the shadow self. It is the death of the ego, the indispensable destruction of the former self.
- Prior to entering The Shimmer, Lena is already in a state of psychological nigredo—grieving, adrift, ensnared in cycles of self-destruction and guilt.
- Within The Shimmer, her identity fractures—memories distort, time collapses, and she witnesses her self refracted in all aspects of the environment.
- The monstrous bear, which absorbs and echoes the tormented voices of its victims, embodies the devouring Shadow—the unconscious self consuming and assimilating what has been repressed.
As her expedition team disintegrates, it becomes increasingly evident that they are not mere companions but manifestations of Lena’s fragmented psyche.
The Expedition Team: Aspects of Lena’s Inner Landscape
The expedition team, comprised entirely of women, powerfully suggests that each represents a distinct fragment of Lena’s psyche—each aspect of her self that must be relinquished for her to achieve wholeness.
- Sheppard (Cass): The Emotional Self – The first to perish, her loss symbolizes the necessary severance of purely emotional attachments.
- Anya (Thorensen): The Instinctual Self – Her descent into paranoia and violent demise represents the dissolution of primal fear and the animalistic survival instinct.
- Josie (Radek): The Intellectual and Intuitive Self – She surrenders peacefully, choosing to merge with The Shimmer’s flora rather than resist, symbolizing the transcendence of rigid rationality.
- Ventress: The Ego and the Quest for Meaning – She dissolves into cosmic light at the lighthouse, marking the annihilation of control and the ultimate surrender to transformative forces.
By the time Lena reaches the lighthouse, she stands alone—stripped of all externalized aspects of her self, compelled to confront the core of her being.
2. Albedo: Purification and the Encounter with the Shadow
The albedo stage signifies purification, often necessitating a profound encounter with the unconscious. Lena’s confrontation with her doppelgänger within the lighthouse is this pivotal moment of reckoning.
- The doppelgänger is not an external adversary but an exact mirror of Lena, embodying her unconscious self.
- It does not engage in combat but meticulously mimics her, reflecting Jung’s principle that the Shadow must be integrated, not eradicated.
- Through patience and understanding, Lena overcomes it—not by force, but by recognizing and accepting its intrinsic nature.
Her final act of setting the doppelgänger ablaze is an act of alchemical transmutation—fire symbolizing the purification essential for the culminating stage.
3. Citrinitas: Illumination and the Revelation of Truth
Often overlooked in modern alchemical interpretations, citrinitas represents spiritual awakening and the revelation of profound truths. It is the moment when the initiate perceives beyond the veil of illusion.
- Ventress’s dissolution into light marks the collapse of Lena’s former reality.
- Lena perceives The Shimmer not as a force of destruction, but as a catalyst for transformative change.
- She ceases to resist change, accepting that The Shimmer is neither alien nor external—it is an extension of her deepest self.
4. Rubedo: The Sacred Union and the Culmination of the Magnum Opus
Rubedo is the final stage—the union of opposites, the alchemical marriage (coniunctio), and the creation of the philosopher’s stone.
- Kane, as Lena’s Animus, embodies the lost masculine principle within her. His death and the survival of his doppelgänger mirror Lena’s own transformative journey.
- Their final embrace signifies the coniunctio, the merging of conscious and unconscious, masculine and feminine, the purified and reborn self.
- They are no longer what they were, nor entirely separate from The Shimmer—they are The Shimmer, transformed.
The Collapse of The Shimmer: The Liberation of Essence
With the Magnum Opus complete, the vas hermeticum is no longer necessary. The Shimmer’s collapse is not an act of destruction—it is an act of liberation.
- The crystalline trees and luminescent landscape dissolve because Lena has fully internalized her transformation.
- The vessel of transmutation is no longer required; the Work is now an intrinsic part of her being.
- This reflects the fundamental axiom of alchemy: as above, so below. The external world shifts in harmony with the completion of her internal Great Work.
Conclusion: The Completion of the Great Work—The Alchemical Transformation
Lena’s journey was not one of acquisition, but of profound recognition. The Shimmer was never an invader, but a crucible—the vessel through which she underwent the transformative process.
By navigating the stages of the Magnum Opus, she has achieved true integration:
- Kane and Lena’s final embrace represents the hieros gamos, the sacred union of the conscious and unconscious self.
- Their glowing eyes are the unmistakable mark of transmutation—the rubedo, the completion of the philosopher’s stone, and their divine union.
Lena, as she was known, did not return from The Shimmer. She was transformed.
Epilogue: The Alchemical Secret
The ultimate secret of alchemy is not the creation of gold.
It is the profound realization that one has always been gold.
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